Upbeat reviews for TIFF award tributee Jessica Chastain as televangelist Jim Bakker’s long-suffering wife in Michael Showalter’s biopic “The Eyes of Tammy Faye” (Searchlight) should push her into the Best Actress race, where many great performances have been recognized despite mixed reviews. It would make a “Three Christs of Ypsilanti”-level abnormal psych case study. I would be very interested in meeting a person who liked “Wonder Woman 1984,” “Bohemian Rhapsody,” “Green Book,” “Hillbilly Elegy,” “Dear Evan Hanson,” and “The Joker” in equal measure. What do the movies listed below have in common? Except for newbie “Dear Evan Hansen,” they’re examples of emotionally potent Oscar nominees with less-than-stellar reviews that played for a wide audience. Lately, many critics have become allergic to “crowdpleasers” that play to a wide audience. Sundance may do better as they conduct the same negotiations for their hybrid January festival, which boasts more unknown titles seeking distribution and festival branding.Ĭlearly, all reviewers are not behind “Dune” ( 75 Metascore), “Belfast,” and “King Richard.” That’s par for the course for any mainstream movie. 6,” a likely Finnish Oscar entry, available on the platform Pedro Almodóvar’s “Parallel Mothers,” starring Penélope Cruz, skipped Telluride and TIFF in order to open Venice and close NYFF. Sony Pictures Classics, to their credit, made Sundance title “Jockey,” boasting a top performance from Clifton Collins, Jr., and Cannes prize-winner “Compartment No. Distributors pulled back from last year, sacrificing some buzz. It was among many high-profile TIFF titles not shown on the digital screening portal, despite TIFF’s best efforts to do so. While press in New York and Los Angeles were granted screenings of TIFF tributee Denis Villeneuve’s Venice entry “Dune” (Warner Bros.), which played well at IMAX cinemas in Toronto, the spectacular big-screen epic starring Timothée Chalamet should land multiple Oscar nominations including Best Picture. (“Belfast” boasts a respectable 75 Metascore “King Richard” is at 77, and “The Power of the Dog” is at 92.) It goes to a crowdpleaser - and guess what? So does Best Picture. The two awards have lined up 10 times over the years with Best Picture winners “Chariots of Fire,” “American Beauty,” “Slumdog Millionaire,” “The King’s Speech,” “Argo,” “12 Years a Slave,” “Spotlight,” “Green Book,” “Parasite,” and last year’s “Nomadland.” Why do they sync up so often? Voters are a mix of Toronto cinephiles and industry and press. “Belfast” tugs the heartstrings, too: Academy actors, writers, directors, cinematographers, and editors will all climb on board.Īnd at Sunday’s Toronto awards ceremony, “Belfast” (Focus Features) took the coveted People’s Choice Award that presages many Oscar winners, if not the Best Picture statue. It has everything, including a cast of superb actors led by Jamie Dornan and Caitríona Balfe, with ace support from wily veterans Ciarán Hinds and Judi Dench.
Reddit kodi game of thrones series#
'House of the Dragon': Everything You Need to Know About HBO's Upcoming SeriesĮmmy Predictions: Best Actor in a Drama Series - One More for Porter, or a First for O'Connor?Īt Telluride and Toronto, “Belfast” was the consensus title that combines art and commerce, personal and universal, written and visual. 'A Hero' Trailer: Asghar Farhadi Could Win His Third Oscar for Best International Feature Oscars 2022: Best Adapted Screenplay Predictions By the end of the weekend, though, word of mouth caught up to “Belfast,” which was clearly heading for the Oscar Best Picture race, along with “King Richard” and Jane Campion’s Venice entry “The Power of the Dog.” Most everyone else was checking out either buzzy Will Smith-starrer “King Richard” or Joe Wright’s period musical “Cyrano,” complete with a tribute to “Game of Thrones” star Peter Dinklage.
Reddit kodi game of thrones movie#
You feel it in a room when a movie plays, from Cannes Palme d’Or-winner “Titane” to prize-winners “A Hero” (Asghar Farhadi) and “The Worst Person in the World” (Joachim Trier), likely Oscar submissions from Iran and Norway, respectively.Īnd at Telluride opening night, writer/director Kenneth Branagh’s 1969 time capsule “ Belfast” played well - at the near-empty Werner Herzog Theatre during a driving rainstorm. In 2021, live Cannes and Telluride events provided scads of intel on how movies played for audiences and media. No question there’s more to learn from a live film festival than a virtual one.